‘Chasing Amy’ Doc Examines the Legacy of Kevin Smith’s Polarizing 1997 Film in First Trailer (Video)
Add Yahoo as a preferred source to see more of our stories on Google. Sometimes the cultural reevaluation of a film can go both ways: For as much as viewers can say “Yes, this movie is actually good,” ...
Kevin Smith is recalling the gut punch of hearing that "the most famous lesbian in the world" walked out of a screening of his 1997 LGBTQ+ movie Chasing Amy. A rep for DeGeneres, 66, did not ...
The film explores the complex legacy of Kevin Smith's 1997 cult classic movie "Chasing Amy" on LGBTQ people and its life-saving impact on Sav Rodgers, who makes his feature-length directing debut with ...
“Chasing Chasing Amy” is an enticing new documentary that was written and directed by Sav Rodgers. This documentary had its world premiere on June 8 at the Tribeca Film Festival in New York. It ...
In 1997, "Chasing Amy" felt like a revolution. Filmmaker Kevin Smith, known for his talky, male-minded comedies "Clerks" and "Mallrats," told a tender story about a heterosexual man (Ben Affleck) who ...
In 1997, director Kevin Smith told a story about a comic book artist, played by Ben Affleck, who falls in love with a lesbian, played by Joey Lauren Adams. The film, “Chasing Amy,” became a cultural ...
LGBTQ+ representation in film has come a long way since Chasing Amy, the 1997 Kevin Smith rom-com with a rather complicated legacy. Evaluating its problematic nature and place in gay media is the ...
Kevin Smith revealed that his 1997 movie “Chasing Amy” upset “the most famous lesbian in the world”: Ellen DeGeneres. In a clip for the documentary “Chasing Chasing Amy,” Smith, 54, discussed the ...
Have you seen stories about 'Chucky,' 'Scream,' 'Buffy the Vampire Slayer,' 'The Boys,' 'Vanderpump Rules,' or any of 'The Real Housewives' franchises? That's probably a Britta DeVore-curated piece of ...
‘Chasing Amy’ Doc Examines the Legacy of Kevin Smith’s Polarizing 1997 Film in First Trailer (Video)
Sometimes the cultural reevaluation of a film can go both ways: For as much as viewers can say “Yes, this movie is actually good,” they can also say “We see now it’s incredibly problematic.” Such is ...
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