Few composers have shaped the sound of modern genre filmmaking as profoundly as Danny Elfman. His fingerprints are everywhere: the gothic swell of Batman, the mischievous oddity of Beetlejuice, the ...
When L.A. Opera invited Gustavo Santaolalla to write a new score for the Spanish version of the 1931 film “Dracula” to be performed live with an orchestra, the Oscar-winning composer was intrigued by ...
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