Cutting every corner can lead to some shoddy projects, but [Terry Gilliam] shows us that cutting the right corners yields unforgettable animations when mixed with the right amount of quirky ...

I’m a longtime fan of the incredible (and overlooked) stop motion paper cut-out animation sequences created by Bill Justice and Xavier Atencio for the Disney Studios in the late 1950s and early 60s.

Can a cut-paper, stop-motion feature film capably and faithfully represent the tortured psychodrama and indulgent gore of samurai cinema? Or will it end up being, for lack of a better term, a poor cut ...