Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing interviews and dispatches from various corners of Austin’s city limits.

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

Toronto-based writer Dylan Adamson delves into the mysterious backstory of The Napa Boys, the latest from comedians Nick ...

Natalia Keogan highlights five films (and two amazing musical acts) to catch at the 2026 True/False Film Fest.

In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the ...

I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe ...

In his final Considerations column before Oscar voting closes, Tyler Coates celebrates the unpredictability of this year’s potential winners.

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A charming scoundrel visiting the city of his father’s birth, William is drawn to his impromptu guide Effy — wise, spontaneous, and half his age. Goldberg & Eisenberg (Director/Screenwriter: Oren ...

The BAFTAs were rife with scandals and upsets, but as Oscar voting come to a close, will the PGA and Actors Awards provide more clarity?

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...