In With Feeling, Flo & Joan demonstrate how effectively music and comedy can become part of the same theatrical language. The ...

Julia Fischer Julia Fischer’s performance of Brahms’ Violin Concerto with Edward Gardner and the London Philharmonic Orchestra is clear evidence of the delight which soloist, conductor and orchestra ...

Christine Edzard Christine Edzard’s film for Sands Films re-examines the Beveridge Report of 1942 and reveals the reasons for ...

Pretty Woman the Musical is heading back out on the road next year for another UK tour. A Big. Huge. UK tour some might say.

Du Yun Librettist: Royce Vavrek Angel’s Bones, a new work by composer Du Yun and librettist Royce Vavrek, opens at the London ...

This is an absolutely joyous evening’s entertainment, with a truly stunning set, simply and effectively directed, placing Shakespeare’s timeless lines at the heart of the show, which the talented cast ...

Following last year’s immersive production of A Christmas Carol, Electric Press take over East Riddlesden Hall, a historic ...

A leading contender in the First Feature Competition at the BFI London Film Festival, Ashley Walters’ directorial debut, Animol is an astonishing insight into loyalty, hierarchy and the unyielding ...

In the third instalment of his comedic, ’whodunnit’ trilogy, writer Torben Betts reunites with director Philip Franks, actress Susie Blake and production company Original Theatre (in association with ...

It’s now some 21 years since the distinguished novelist, Margaret Atwood, re-wrote the Odyssey for Canongate’s Myths series, taking the story of Penelope and Odysseus and re-telling it from Penelope’s ...

Gender dysphoria meets Kafkaesque nightmare in Arthur Harari’s intriguing but half-formed allegory The Unknown (L’Inconnue) – a bizarre, unsettling spin on doppelgänger horror featuring an understated ...